Origin of music and embodied cognition

Dancing about music , rather than talking about ( the musical mind ’ s ) architecture : a review of Marc Leman ’ s Embodied Music Cognition and Mediation Technology

Leman’s latest book is a refreshing treatment for the traditional (by which I mean: disembodied) cognitive science of music. What is more, the book serves as a starting point of an almost natural (given the recent variety of empirical data from empirical musicology and the studies on musical gestures, musical movement and the biomechanics of the body) application of the paradigm of embodied cog...

Social implications arise in embodied music cognition research which can counter musicological “individualism”

The agenda in music research that is broadly recognized as embodied music cognition has arrived hand-in-hand with a social interpretation of music, focusing on the real-world basis of its performance, and fostering an empirical approach to musician movement regarding the communicative function and potential of those movements. However, embodied cognition emerged from traditional cognitivism, wh...

kant on the embodied cognition

Broadening Telematic Electroacoustic Music by Affective Rendering and Embodied Real-time Data Sonification

Often played in traditional music performance formats, much recent telematic electroacoustic music focuses on the relationships between people/machines and geographically distributed cultures/spaces/players, and/or it adopts electroacoustic music’s historical concerns with natural environmental sound art or space manipulation. But a more suitable environment for telematic art works is perhaps f...

Four Applications of Embodied Cognition

This article presents the views of four sets of authors, each taking concepts of embodied cognition into problem spaces where the new paradigm can be applied. The first considers consequences of embodied cognition on the legal system. The second explores how embodied cognition can change how we interpret and interact with art and literature. The third examines how we move through architectural ...